We must indeed consider the centrality of race in our history and culture as Cobb suggests. At the grassroots level, this means supporting Ethnic Studies.
-Angela
Ben Carson, Donald Trump, and the Misuse of American History
Earlier
this week, Ben Carson, the somnolent surgeon dispatched to oversee the
Department of Housing and Urban Development on behalf of the Trump
Administration, created a stir when he referred to enslaved black people—stolen,
trafficked, and sold into that status—as “immigrants” and spoke of
their dreams for their children and grandchildren. In the ensuing hail
of criticism, Carson doubled down, saying that it was possible for
someone to be an involuntary immigrant. Carson’s defenses centered upon
strict adherence to the definition of the word “immigrant” as a person
who leaves one country to take up residence in another. This is roughly
akin to arguing that it is technically possible to refer to a kidnapping
victim as a “house guest,” presuming the latter term refers to a
temporary visitor to one’s home. Carson had already displayed a
propensity for gaffes during his maladroit Presidential candidacy, and
it might be easy to dismiss his latest one as the least concerning
element of having a neurosurgeon with no relevant experience in charge
of housing policy were it not a stand-in for a broader set of concerns
about the Trump Administration.
A week earlier, Betsy DeVos, the Secretary of Education, had described historically black colleges and universities as pioneers in school choice—a
view that can only co-exist with reality if we airbrush segregation
into a kind of level playing field in which ex-slaves opted to attend
all-black institutions rather than being driven to them as a result of
efforts to preserve the supposed sanctity of white ones. The Trump
Administration is not alone in proffering this rosy view of American
racial history. Last week, in a story about changes being made at Thomas Jefferson’s estate, Monticello, the Washington Post
referred to Sally Hemings, the enslaved black woman who bore several of
Jefferson’s children, as his “mistress”—a term that implies far more
autonomy and consent than is possible when a woman is a man’s legal
property. Last fall, the textbook publisher McGraw-Hill faced criticism
for a section of a history book that stated, “The Atlantic Slave Trade
between the 1500s and 1800s brought millions of workers from Africa to
the southern United States to work on agricultural plantations.” The
word “worker” typically carries the connotation of remuneration rather
than lifelong forced labor and chattel slavery.
One
part of the issue here is the eliding of the ugliness of the slave past
in this country. This phenomenon is neither novel nor particularly
surprising. The unwillingness to confront this narrative is tied not
simply to the miasma of race but to something more subtle and, in the
current atmosphere, more potentially treacherous: the reluctance to
countenance anything that runs contrary to the habitual optimism and
self-anointed sense of the exceptionalism of American life. It is this
state-sanctioned sunniness from which the view of the present as a
middle ground between an admirable past and a halcyon future springs.
But the only way to sustain that sort of optimism is by not looking too
closely at the past. And thus the past can serve only as an imperfect
guide to the troubles of the present.
In
his 1948 essay “The Gangster as Tragic Hero,” Robert Warshow wrote
about the mid-century efforts to pressure studios to stop producing
their profitable gangster movies. The concerns focussed partly upon the
violence of the films but more directly upon the fear that these films
offered a fundamentally pessimistic view of life and were therefore
un-American. There is a neat through-line from those critics to Ronald
Reagan’s “Morning in America” idealism to the shopworn rhetoric of
nearly every aspirant to even local public office that the nation’s
“best days are ahead of us.” We are largely adherents of the state
religion of optimism—and not of a particularly mature version of it,
either. This was part of the reason Donald Trump’s sermons of doom were
seen as so discordant throughout last year’s campaign. He offered
followers a diet of catastrophe, all of it looming immediately if not
already under way. He told an entire nation, in the most transparently
demagogic of his statements, that he was the only one who could save it
from imminent peril. And he was nonetheless elected President of the
United States.
Strangely enough,
many of us opted to respond to Trump’s weapons-grade pessimism in the
most optimistic way possible, conjuring best-case scenarios in which he
would simply be a modern version of Richard Nixon, or perhaps of Andrew
Jackson. But he is neither of these. Last summer, as his rallies tipped
toward violence and the rhetoric seemed increasingly jarring, it was
common to hear alarmed commentators speak of us all being in “uncharted
waters.” This was naïve, and, often enough, self-serving. For many of
us, particularly those who reckon with the history of race, the true
fear was not that we were on some unmapped terrain but that we were
passing landmarks that were disconcertingly familiar. In response to the
increasingly authoritarian tones of the executive branch, we plumbed
the history of Europe in the twentieth century for clues and turned to
the writings of Czeslaw Milosz and George Orwell. We might well have
turned to the writings of W. E. B. Du Bois and James Baldwin for the
more direct, domestic version of this question but looked abroad, at
least in part, as a result of our tacit consensus that tragedy is a
foreign locale. It has been selectively forgotten that traits of
authoritarianism neatly overlap with traits of racism visible in the
recent American past.
The
habitual tendency to excise the most tragic elements of history creates
a void in our collective understanding of what has happened in the past
and, therefore, our understanding of the potential for tragedy in the
present. In 1935, when Sinclair Lewis wrote “It Can’t Happen Here,” it
already was happening here, and had been since the end of
Reconstruction. In 1942, the N.A.A.C.P. declared a “Double V”
campaign—an attempt to defeat Fascism abroad and its domestic corollary
of American racism.
Similarly, it
was common in the days immediately following September 11th to hear it
referred to as the nation’s first large-scale experience with
terrorism—or at least the worst since the 1995 Oklahoma City bombing,
staged by Timothy McVeigh. But the nation’s first antiterrorism law was
the Klan Act of 1871, designed to stall the attempts to terrorize
emancipated slaves out of political participation. McVeigh’s bombing,
which claimed the lives of a hundred and sixty-eight people, was not the
worst act of terrorism in the United States at that point—it was not
even the worst act of terrorism in the history of Oklahoma.
Seventy-four years earlier, in what became known as the Tulsa Race Riot,
the city’s black population was attacked and aerially bombed; at least
three hundred people were killed. Such myopia thrives in the present and
confounds the reasoning of James Comey, who refused to declare Dylann
Roof’s murder of nine black congregants in a South Carolina church, done
in hopes of sparking a race war, as an act of terrorism—a designation
he did not withhold from Omar Mateen’s murderous actions in the Pulse
night club, in Orlando.
The
American capacity for tragedy is much broader and far more robust than
Americans—most of us, anyway—recognize. Our sense of ourselves as
exceptional, of our country as a place where we habitually avert the
worst-case scenario, is therefore a profound liability in times like the
present. The result is a failure to recognize the parameters of human
behavior and, consequently, the signs of danger as they become apparent
to others who are not crippled by such optimism. A belief that we are
exempt from the true horrors of human behavior and the accompanying
false sense of security have led to nearly risible responses to
Trumpism.
It has become a cliché
of each February to present the argument that “black history is American
history,” yet that shopworn ideal has new relevance. A society with a
fuller sense of history and its own capacity for tragedy would have
spotted Trump’s zero-sum hustle from many miles in the distance. Without
it, though, it’s easy to mistake the overblown tribulations he sold his
followers for candor, not a con. The sense of history as a chart of
increasing bounties enabled tremendous progress but has left
Americans—most of us, anyway—uniquely unsuited to look at ourselves as
we truly are and at history for what it is. Our failure to reckon with
this past and the centrality of race within it has led us to broadly
mistake the clichés of history for novelties of current events.
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