The legendary Ana Castillo is presenting on her latest book, Black Dove, at El Sol y La Luna located at 600 E. 6th St. in Austin, Texas on the evening of May 26th at 7PM. Also, my daughter, Luz Zamora, will sing "Paloma Negra" to open the event. Check out the nice write up on Ana Castillo in Brooklyn & Boyle from her visit in Los Angeles.
Consider joining us for a wonderful evening with her this month here in Austin!
-Angela
11:51 PM
Brooklyn Boyle
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by Abel Salas
Born in Chicago on June 15, 1953, Ana Castillo is a universally
celebrated poet, novelist, short fiction writer, essayist, editor,
playwright, translator and independent scholar.
Her novel,
Sapogonia, was a
New York Times “Notable Book of the Year” and her first work of fiction,
The Mixquiahuala Letters, received an American Book Award from the Before Columbus Foundation. Other award-winning and bestselling novels include
Give It to Me, which was the 2014 winner of the Best Bisexual Fiction from the LAMBDA Foundation,
So Far From God,
The Guardians and
Peel My Love Like an Onion.
Massacre of the Dreamers, her classic, award-winning collection
of essays celebrated its 20th anniversary with an updated edition
released in 2014 and her award winning novel in verse,
Watercolor Women, Opaque Men will be re-released in fall 2016 by Northwestern University Press in a deluxe new edition.
Calling her “the most daring and experimental of Latino novelists,”
Commonwealth contributor Ilan Stavans noted that Castillo’s “desire to
find creative alternatives and to take risks is admirable.” Her work in
poetry and prose is at once highly innovative and based on established
oral and literary traditions.
Currently, Castillo is editor of
La Tolteca, an arts and literary
‘zine dedicated to the advancement of a world without borders and
censorship. She also sits on the advisory board of the new American
Writers Museum in Washington D.C. With an M.A from the University of
Chicago and a Ph.D. from University of Bremen, Germany in American
Studies, the leading literary luminary received an honorary doctorate
from Colby College.
In keeping with long list of ground-breaking achievements, she was the
first Sor Juana Inés de la Cruz Endowed Chair at DePaul University, held
The Martin Luther King, Jr Distinguished Visiting Scholar post at
M.I.T. and was the Poet-in-Residence at Westminster College. In 2013
she was the recipient of the American Studies Association Gloria
Anzaldúa Prize, given to an independent scholar. A year later, Dr.
Castillo held the Lund-Gil Endowed Chair at Dominican University in
Illinois.
In June 2015, Castillo was given the Lifetime Achievement Award in
literature for her “literary contributions to the Latino/a community,
and commitment to the betterment of our younger generations” by Latina
50 Plus, a motivational organization based in the Bronx, New York.
Among the other accolades which have been given to her in acknowledgment
of her lifetime commitment to excellence in arts and letters are a Carl
Sandburg Award, a Mountains and Plains Booksellers Award, and
fellowships from the National Endowment for the Arts in both fiction and
poetry. Castillo was also awarded a 1998 Sor Juana Achievement Award by
the Mexican Fine Arts Center Museum in Chicago.
She is still defiantly proud wears it as a badge of honor that two of her books,
So Far From God and
Loverboys,
were placed on the list of banned book issued by the Tuscon Unified
School District in Arizona during its pogrom against ethnic literature
the districts white administrators deemed “subversive” and unpatriotic.
Castillo has been profiled and interviewed widely on a slew of national
electronic media outlets, including National Public Radio and the
History Channel, and was also radio-essayist with NPR in Chicago. She
recently joined the Bread Loaf faculty with Middlebury College in Santa
Fe, New Mexico where she teaches creative non-fiction. As a university
instructor, she also teaches in the MFA summer programs at the American
Indian Institute of the Arts, also in Santa Fe.
Her new book,
Black Dove, is a highly charged personal memoir
that takes its title from a popular Mexican ranchera song about
heartbreak and disappointment that comes as a result of loving too much.
It draws extensively on her life as the daughter of a Mexican Indian
mother who was born in Nebraska, sent back to Mexico in 1929 with the
illegal repatriations of U.S. citizens.
According to Castillo’s account, her mother then made her way back to
the U.S. Her reality was also colored by the fact that her father was
Mexican-American. Against this backdrop of a traditional home which was,
in many ways, the antithesis of what was happening across the country
during the 1970s. In this context, it becomes apparent that Castillo
defied convention in becoming a writer and a feminist. A generation
later, her mother’s crooning mariachi lyrics resonate once again.
Castillo—now an established Chicana novelist, playwright, and
scholar—witnesses her own son’s spiraling adulthood and eventual
incarceration.
Standing in the stifling courtroom, Castillo describes a scene that
could be any mother’s worst nightmare. But in a country of glaring and
stacked statistics, it is a heart-wrenching, soul-crushing experience
especially reserved for mothers like her: the inner-city mothers, the
single mothers, the mothers of brown sons.
With fierce intelligence, raw honesty, startling humor, and love,
Castillo weaves intergenerational stories traveling from Mexico City to
Chicago. She writes of her family’s history in Mexico and America, their
lives of hard-work and poverty, and examines her feelings of isolation,
loneliness, and otherness.
She opens up, for the first time, about the love of her life, a woman
who left her heart-broken, and writes about the men in her life who
often disappointed her. She writes of the tenderness she feels for her
son and her search for spiritual and personal fulfillment. And, in
doing so, she narrates some of America’s most heated political debates
and addresses glaringly unremediated social injustices through the
oft-neglected lens of motherhood and family.
Black Dove, issued by The Feminist Press is in keeping with
Castillo’s vanguard status a visionary risk taker. It was, after all,
she who brought the word “Xicanisma” into the standard lexicon of
academia and Chicano studies in particular. In the 1980s, when her
pioneering, provocative still very relevant Massacre of Dreamers was
originally published, using the “x” was still considered a radical
departure.
Today, students who actually have her to thank—are taking her effort to
develop terminology with which to discuss Otherness and the relative
gender issues that are part of that critical discussion even one step
further. It is increasingly common, for example, to see references to
“Xicanx” or “Latinx” identity. Using the neutral “x” on the end an term
creates a less coded imposition. No longer is a reader constrained by
the subliminal messaging. And writers no longer have to wring their
hands over using the clunky @ symbol or the even clunkier “o/a” or “a/o”
to represent both Chicana and Chicano gender identities.
Castillo presented her work at various places in Los Angeles as part of
the AWP (Association of Writers and Writing Programs) 2016 Annual
Conference held in Los Angeles recently, including the combined
Tayo Literary Magazine
and The Feminist Press reading with Kenji C. Lui, Angela Peñaredondo
and Rajiv Mohabir at Visual Communications in Little Tokyo.
The distinguished poet and novelist also signed copies of her new book
for over two hours at the Santa Fe Springs Library, an experience she
says, “demonstrates how often overlooked communities outside of the
usual cultural capitals are equally interested in the arts and
literature that reflects their experience more honestly.”
❤️
