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Showing posts with label Dr. Cesar A. Cruz. Show all posts
Showing posts with label Dr. Cesar A. Cruz. Show all posts

Wednesday, March 11, 2026

A Powerful Evening at UT Austin on the 'Censored University': The Legendary Nikole Hannah-Jones and Truth-Telling, by Angela Valenzuela, Ph.D.

A Powerful Evening at UT Austin on the 'Censored University': Nikole Hannah-Jones and Truth-Telling

by

Angela Valenzuela, Ph.D.
March 11, 2026

In an event sponsored by the Department of Mexican American and Latino Studies and the Department of African American and African Diaspora Studies, the Bass Lecture Hall at the LBJ School for Public Affairs was jam packed yesterday evening as students, faculty, and community members gathered for an extraordinary conversation about history, democracy, and the responsibility of truth-telling in our time. You may scroll down to view the recording.

Jonathan Friedman, Cameron Samuels, and
Nikole Hannah-Jones

We were honored to welcome Nikole Hannah-Jones, Pulitzer Prize–winning journalist and author of The 1619 Project, whose work has profoundly reshaped public understanding of the United States by centering the legacy of slavery and the contributions of Black Americans to the nation’s democratic ideals. Hers is the only book mentioned in Texas law that is weirdly all but censored. It's an honest history and I encourage all to read it. The audiobook version is excellent!

At a moment when honest conversations about history are increasingly contested, Hannah-Jones reminded us that democracy depends not on comforting myths but on our collective willingness to confront the past with clarity, courage, and intellectual integrity.

The evening also highlighted the power of intergenerational dialogue. Cameron Samuels, youth leader and LBJ School master’s student—who just got admitted into the UT Law School—brought a compelling perspective on student activism and intellectual freedom. Their advocacy reminds us that struggles over what can be taught, read, and discussed in schools are inseparable from the future of democracy itself.

We were also fortunate to hear from Jonathan Friedman of PEN America, whose work defending free expression and confronting book bans has been indispensable in documenting the growing movement to restrict knowledge in schools and libraries across the United States. His insights helped situate the conversation within the broader national struggle over intellectual freedom.

Guiding the evening’s dialogue was Dr. Lauren Gutterman, whose thoughtful

César Cruz and me
moderation created space for a rich and probing exchange among the speakers and with the audience. The program opened with an exquisite prayer offered by Dr. César Cruz, whose words grounded the evening in reflection, humility, and a shared commitment to justice and community. It was a beautiful reminder that intellectual work and moral purpose are never far apart.

Events like this matter—especially now. Universities must remain places where difficult histories can be examined honestly, where students encounter ideas that challenge them, and where communities can gather to think together about the future we hope to build.

Last night’s full house at the LBJ School made something clear: people are hungry for these conversations. They want spaces where truth can be spoken, where history can be wrestled with, and where the next generation of scholars, journalists, and organizers can find inspiration.

My deepest thanks to Nikole Hannah-Jones, Cameron Samuels, Jonathan Friedman, Dr. Lauren Gutterman, and Dr. César Cruz for helping make this such a meaningful evening—and to everyone who filled Bass Lecture Hall in a shared commitment to democracy, dialogue, and the enduring power of truth.

Saturday, May 05, 2018

Smiling Brown: Erika’s story and a Cinco de Mayo Reflection

Here is a deep, soulful reflection on skin color by Erika González, a Tejana teacher, poet, and book illustrator  living in Oakland, California, posted to a blog worth following titled, Xica Nation
This story reminded me of my father who also gave me the nickname, "Prieta Linda," a term of endearment that was intended for me to feel pride in my skin color, too.  (I smile as I write this.  Do read Erika's story about this below).  My mother, who passed away in 2005, was fair- skinned and quite intentional in always telling her children how she intentionally married the darkest, handsome man that she could find.  This is not completely true, of course, but she would say this to make a point.  She would also always speak admiringly to her children of their skin color, convincing them of their beauty and power. Thanks, Mom!
What our parents have to do for us as children to love ourselves and be whole human beings is incredible.  They affirm in their children that which is societally disparaged.  
In my Mom's case, she gave us the tools we needed to survive "apartheid West Texas" and the vestiges of Jim Crow.  As parents of two daughters, Emilio and I have done this, as well, to the best of our abilities.  Yet we have learned that we could not and cannot protect them fully from all of the indignities to which they have been subjected as Chicanas in a patriarchal, sexist, and racist society.
Our children need to read these stories and reflections if they are to recognize themselves and all others as beautiful children of the Creator, just as they are.  They also need to read history on the Mexican American experience which is what the push for Mexican American Studies is about.  There they would learn about an entire movement together with circulating discourses in the late 1960s and early 1970s called the Chicana and Chicano Movement that was precisely about community and, as a consequence, personal empowerment. We cannot have one without the other.
Stated differently, our parents and youth must decolonize themselves and their thinking to see beauty and power in how they look and who they are.  And Erika González' work, alongside that of many others, helps to get us there.  
While focused on Mexican Americans, these words map on to the experiences of all minoritized communities, and thusly, to all children of color, as well.  Thanks to another great leader whose recent blog you may have read, Dr. Cesar A. Cruz Teolol, with #HomiesEmpowerment for sharing.
Happy Cinco de Mayo, everybody!
-Angela Valenzuela

Smiling Brown: Erika’s story

I grew up on the Border of Texas and Mexico and was surrounded by brown Xicanitas just like me. I still remember my thoughts as a young child and for this I am grateful, because I feel that it is children who are closest to the Creator, who have the most innocent and creative minds, and fearless instincts based on love.  As a young child, I remember sitting down in the spots on the rug in my family’s trailer house where sunlight shone. I stayed in these sunlit spots in a meditative state for long periods of time. It was quiet, peaceful and I felt closest to what as an adult, I try to channel today. I remember looking down at my skin and loving the way it reflected the sunlight back at me.  The bronze, red, yellows and brown tones made me feel like I had a connection to the sunrays.
I now ask myself, what happens to children when they grow up and lose their connection to the Source of Light?  As I got older, I stopped seeing the sunrays and moonlight’s reflection on my own skin and started playing with Barbie Dolls with blonde hair, blue eyes, and white skin.  I forgot all about my own bronze skin because everywhere I turned, I was fed the idea that white skin was beautiful from the dolls I played with, to the commercials and cartoons I watched each Saturday morning.  I vividly remember getting mad at my mom for getting me a Cabbage Patch Doll with brown hair and brown eyes while my sister got one with blonde hair and blue eyes. At this point in my childhood, I had already associated brown as not beautiful.  
My Grandfather Pipa nicknamed me Prieta Linda, after a famous Tejano song by Little Joe y la Familia.  I remember being embarrassed by the nickname not really understanding why anything Prieta (brown girl) would be linda (pretty).  I never took it as a compliment as a child and was embarrassed each time my grandfather and my father would stop to sing me parts of the song. As an adult, I have now reclaimed that nickname and am proud to be a bronze woman.  Last year, I danced to the song Prieta Linda with my father on my wedding day during the Father Daughter dance and I sobbed the whole time, as my dad and I embraced each other in a moment that only he and I knew so well.
The road to loving my own skin was not an easy one.  Nobody sat me down and told me how important it was or even showed me the path to love myself and my brown skin.  It happened organically through meeting elders in the Xicano and Environmental Justice movement in Austin, TX who made it a part of their life struggle to defend their communities of mostly people of color experiencing injustices.  A demand of justice for communities of color experiencing racism led me to work alongside them for many years which led to my own realizations of self love and love of community.
Fast forward twenty years, and I am now a mother of two children who are mixed with beautiful black and brown skin.  I am also a Kindergarten teacher at Roses in Concrete Community School in East Oakland. As an elementary teacher, I remember when I first came across skin color crayons.  They were sent to my classroom in a package and each box said multicultural crayons in big bold letters. I opened a box and saw a variety of brown and black shades. I couldn’t wait to let my students use them.  Each child had their own box and was given the task to look through the box to find their closest shade of skin color. This particular year, I had all brown students and I was surprised at how many students chose lighter shades of brown when their skin was actually darker.  I had to bring in mirrors the next day so that my students could see their beautiful brown skin and create self portraits that truly embodied their skin tone and features.
These past three years at Roses in Concrete have been the most interesting for me because all of my students have been students of color.  Because I get to design my own curriculum, I have the freedom to teach Ethnic Studies through a unique lens without limitations. Over the years, students have created their own shades of brown skin color and named them names such as Redwood Tree, Café con Leche, Brown Buffalo, chocolate amber donut, or black as night.  We go deeper into the study of their own ancestral histories by interviewing family members and creating altars for ancestors that have passed away. Our classroom culture is based on the Mayan concept of the Inlakech: You are my other me. If I love and respect you, I love and respect myself. If I do harm to you, I do harm to myself.  
Our school’s music and art program balances out what is learned in the classroom.  Students get to learn breakdancing and mindful mediation, sing soulful and revolutionary songs, learn basic vocabulary in the Nahuatl language, concepts and dances from the Danza Azteca tradition, and create sculptures and paintings relevant to their own lives and culture.  This year, Maestro Danny taught my students about the Aztec calendar and gave each child their Aztec birth sign. During Writing, students incorporated their Aztec birth sign as well as their skin color name onto a poem about themselves.
I find this type of cultural work in creating Ethnic Studies curriculum for children as young as Kindergarten age, a crucial necessity when the dominant society is bombarding them with self hate propaganda.  We see the lack of diverse characters in children’s books and as a teacher, it becomes even more glaring because when designing my own lessons, I have to search for hours just to find books that my children can identify with and sometimes end up creating my own stories due to the lack of books made for children on topics such as the origins of corn based people, the Black Panthers, Brown Berets, the Black Lives Matter Movement, and all Social Justice Movements.  I’m getting to a point where I am starting to really grasp the idea of writing my own children’s books so that future generations of teachers won’t have to go through what I am going through.
I have to give credit to children’s book authors and illustrators such as Maya Gonzalez, who has authored and illustrated numerous children’s books with characters of color and who has now published the last book in a 3 book anthology in response to the lack of relevant representation of “the people” in traditional children’s books.  I am blessed and proud to share that I am one of the 18 Artist Authors whose writing and illustration is included in her latest Anthology, “Unfulring: A Voice is a Revolution.”
This is a huge accomplishment for me considering that as a child, my parents had to drive for two hours in order to buy my sister and I children’s books because our border town had no bookstores and all the ones they brought back to us contained blonde girls with blue eyes.  I grew up during a time when the only brown girl representation on television was La Chilindrina, a whiny and goofy Mexican girl who would cry hysterically after being teased by other neighborhood children.
Unlearning what was taught to me, as a form of de-colonization is what I have been doing for most of my adult life.  The hope I have is that I am saving my own children and my students years of having to unlearn self-hate and relearn what has been denied.  Maybe one day the message of brown is beautiful will be read about in every public school in the nation, or better yet, be spoken about and truly honored. I have moved beyond the sunlit spots to venture out in the world and let the sun guide me and fill me with love.   The grand mystery of love reveals to us that it is not how much we can be loved for our own beautiful black and browness but in how much we can love others with shades of brown without limitations. It is similar to the love given to us by our Mother Earth. Mother Earth’s unconditional love for us teaches us how to love others and ourselves.  
Erika González is a Xicana educator and former environmental justice organizer with fifteen years of experience working with children and families in K-12. Erika infuses art, social justice and culture in curriculum. She is the former Co-Director of PODER (People Organized in Defense of Earth and her Resources) based in East Austin, Tx and is currently a founding teacher at Roses in Concrete Community School, a social justice school in East Oakland where she teaches Kindergarten. Erika’s poetry has been published in three books: Cantos al Sexto Sol: An Anthology of Aztlanahuac Writings edited by Patrisia Gonzales, Roberto Rodriguez and Cecilio Garcia-Camarillo, Experiments in a Jazz Aesthetic: Art, Activism, Academia and the Austin Project edited by Omi Osun Joni L. Jones, Lisa L. Moore, and Sharon Bridgforth, and the most recent in an anthology by children’s book author and illustrator, Maya Gonzalez titled Unfurling: Voice is a Revolution. Erika is originally from Eagle Pass, Tx a border town next to Piedras Negras Coahuila, Mx and is a mother of two beautiful mixed black and brown children.

Thursday, April 26, 2018

Author’s Advice to White Teachers in Urban Schools: Drop the ‘Savior Complex’ and Learn from Students

This piece connects to my previous post on Dr. Cesar Cruz' reflection on the savior complex.

-Angela


By MAYA ELIE on Author's Advice to White Teachers in Urban Schools: Drop the ‘Savior Complex’ and Learn from Students: It doesn't take a hero, says Dr. Chris Emdin, to integrate the cultures and views of students into the learning experience.


Confessions of an “Educator” blinded by Savior Complex and Poverty Porn by Dr. Cesar A. Cruz


Super-important read by Dr. Cesar A. Cruz who reflects on the way that that Hollywood and the film industry, in general, encourages deficit notions that black and brown children need (white) saviors , exposing a narrative this is not only patronizing but also beneficial to a profession that is largely comprised of white educators.

I hope that his gut-wrenching honesty as a former male teacher of color helps others to be similarly reflective.  Dr. Cruz comments as follows:

That’s why I am now in savior’s complex and poverty porn rehab. I am currently not teaching students anymore. I don’t deserve to. Honestly, I wish a lot of people would leave the profession, at least long enough to self-reflect. I have a lot to unlearn before I get the privilege to be with students again. I am now on a listening campaign as I hear from hundreds of students throughout the country who are telling me how deeply they have been scarred by school.

Thanks for the shout out, Cesar!  And thanks for sharing.  We have all been touched in some form or fashion by this highly problematic narrative to which really any of us are susceptible.  That why we all gotta’ get woke!

Angela Valenzuela
c/s 















Being an educator who is now trying to unpack my savior complex issues, has become my life’s calling, but it wasn’t always like that. Along the journey, I think I may have done more harm as an “educator” than good. I would never really want to admit that though. I try to explain it away by stating that I had good intentions, but there’s that one saying, about a certain road being paved (to hell) with good intentions, do you know which one I’m talking about? I laid a lot of bricks on that road, and so have many of my colleagues, especially the ones that society deems “educational leaders.”
Over time, as an “educational leader,” I have learned that if I only look through my intentions, and not my impact, I am not taking responsibility for all of my actions, and it’s based on that, that I can be self-critical, realizing that most of my career I have actually done more harm than good. Here’s how it may have possibly started for me, but maybe it goes further than that.
Jaime Escalante, but the one played by Edward James Olmos, in the 1980s educational film “Stand and Deliver,” was my shining example and hero. I thought that film was right on. A Latino educator who believes in his students and prepares them for the greatness that’s already inside of them, what’s not to like about that? As I look back on the impact that “Stand and Deliver” had on me, I now realize that I have seen over 20+ films that appear to have the same story of a broken neighborhood and a hero educator. Even in that poster I was being set-up; “The school. The teachers. The Parents. The Students. No one cared, except one man. He was the new math teacher.”
Now I’m starting to feel duped. However, I must admit that having a Chicano, Raza or Mexican American teacher is somewhat rare for Hollywood. Most of the time the change agent is a white teacher, whether in “Freedom Writers Diary,” “Dangerous Minds,” “Music of the Heart,” “The Ron Clark Story,” “The Principal,” “Blackboard Jungle,” “McFarland USA,” or whatever the latest “inspirational” educational propaganda film will air next.
I hate to admit it, but all of these films pulled at my heartstrings. Sure, there was a part of me that was deeply critical of the white savior coming into the hood to “give” the kids hope, but somehow, I found myself always going to see these films. These educators found a way to somehow create “for them,” “those kids,” a “safe space” that they (supposedly) “wouldn’t have otherwise,” to help them see what’s already inside of them, their brilliance, because apparently only this teacher or leader can. However, that film, like most of Hollywood’s “educational” films, offer two critically important narratives that would live in my subconscious for almost 15 years as an “educator;” 1. the broken barrio or hood, where no one seems to care but the educator. It paints and focuses on broken windows. For every film to be successful, you have to include some of the following ingredients: kids of color and maybe some poor whites, graffiti, broken windows, gangs, guns, drive-bys, drugs, a pregnant teen, a parent in jail, struggling families (referred to as broken), a dysfunctional school, multiple forms of abuse, a feeling of being trapped, very little historical context, and a “no way out” plot line. Then you are ready for narrative number 2: the teacher as hero. These films position teachers as saviors, givers of hope, counselors, mentors, surrogate parents, cheerleaders, and everything in between. If it wasn’t for them, “these kids” would probably die. These narratives create the need for organizations like Teach for America, or educational reform organization fill-in-the-blank, to exist. It also becomes addicting for us to keep immersing ourselves in this type of educational poverty porn, stuff I know I shouldn’t be watching but they got me hooked like a fiend. I’m stuck watching films that paint neighborhoods a certain way, from reservations to rural towns, where the conditions are destitute, and in need of saviors with “lesson plans.” I wish this was only limited to films, but it lives everywhere, from grad school texts, to educational “research” findings.
Since birth, we are raised in this society to become heroes. So, I suppose that deep down I wanted to be that hero that this US society values so much in the form of the Lone Ranger teacher who shows up to a “broken” school and a “broken” barrio/hood and saves the educational day. The hero narrative, however, goes far beyond education. As a matter of fact, it is mostly white heroes who save us on the movie screen from pretty much everything, including outers space aliens. White people are pretty amazing as Hollywood myths, but historically, as educators, many of them have operated with a well-articulated savior’s complex, whether they know it or not. Many educators and most schools mentally lynch our students in so many different ways. It is the late educator Dr. Carter G. Woodson who stated that “as another has well said, to handicap a student by teaching him that his black face is a curse [with almost no mirrors in books about who they are, their beauty and contributions] and that his struggle to change his conditions [by not being able to fully take on white supremacy, patriarchy and capitalism] is hopeless, is the worst sort of lynching.” We lynch minds every day in most schools, and yet no-one waves a flag outside the school, “a child’s mind was lynched today,” but we sure to do pathologize them when they “dropout.”
Many educators of color, who fail to see the savior complex within, the whiteness as a norm, do just as much, if not more damage to our communities, as they become the enforcers of white supremacy.
I honestly really struggle to admit that I, a Mexican migrant, man of color, self-identified “social justice educator,” am a perpetrator of the savior’s complex. I am.
As I find myself in a self-imposed savior’s complex rehabilitation clinic, I must admit that I fell into the trap of becoming a shining armor educator that comes to save the day. How could I let that happen and is this just about individual educators making that so-called decision or are we part of a much larger system at play that perpetuates the creation of the savior complex in education as a tool of colonization? What if the profession of schooling is one of preparing the next generation for mental and other forms of slavery?
The history of savior complex has much deeper roots. Many missionary movements the world over, have been based on the belief that it is the God-given duty of the “saved” one, to “save the savages.” It also has deep historical roots in education.
The very first boarding schools in the U.S., created for Indigenous, First Nations, so-called Native American peoples, were run on the belief that these “savages needed to be saved.” That history can best be found in the book “Kill the Indian, Save the Man” by Ward Churchill. Quite honestly, many of our schools today trace a lot of their practices to the ones from the boarding school. There are new saviors and new savages today.
Zero tolerance and no excuses schools are the grandchildren of the slave master (now the headmaster or principal) boarding school. Colonization manifests itself in bells ringing (like in prison), uniforms for conformity, lining kids up, ordering every minute of their day, presenting them with a daily white lens of history in almost every subject, teaching them only colonial languages, having armed guard “police” the youth on campus, metal detectors, bars and fences in many “hood” schools, and on, and on, mostly for “their own good,” oh and of course manners, etiquette and preparation for JROTC and the army, can’t forget that. This cements youth to know their place, knowing when to speak and how, know how to behave, knowing what and how to think, knowing what proper language to use, know what is proper, and it produces on average 3 million “pushouts” every year nationwide, and millions of youth who are anesthetized, numbed, to conquest. Conquest starts early and we punish Black and Brown (and most other kids of color and poor kids) students very early on, starting in kindergarten (or preschool and daycare sometimes) because they are so “unruly” (or hyper, behavior issues, ADHD) that they must be constantly “suspended” to beat the rebel out of them.
Schools value multilingual education to a certain extent, but only if the languages are European. I don’t need to remind you that English comes from England, and Spanish comes from Spain. So, in most schools, we are OK with helping kids reach their bilingual European self and that has a deep impact for Black and Brown children whose indigenous languages have been robbed from them in school. Kids do not speak Nahuatl, Swahili, Quechua, Mam or the language of revolution, on the daily, by colonial design, even in most dual-language or multi-language schools. Dr. Angela Valenzuela describes this practice as a form of “subtractive schooling.” She theorizes that the more time that Brown children spend in most US schools, the more that gets subtracted from them; their pride, roots, culture, history, languages, sense of belonging, and their deep sense of agency to stand up to this colonial state and rise up.
White sociologist Dr. James Loewen wrote a book about it, that based on my experience working with educators nationwide, hardly anyone has read, specially teachers. “Lies My Teacher Told Me” is an anchoring text that has been de-facto banned from must public schools. On the original cover of the book, Dr. Loewen placed a huge can of white wash paint on top of US history. He was not pulling any punches, and maybe we shouldn’t either if we’re really serious about being the educational leaders that we aspire to be; however, ethnic studies is still at best, an elective othering, a thing to bring in to the curriculum, but never central to US history.
Savior’s complex manifested itself in me in so many ways as an educator of “color.” I can only imagine where it must live for white educators and leaders who have not “experienced oppression” in the same way, and the “woke” ones, who funnel our kids to “fit in” to what is, and not stand in solidarity with and for “what must be.”
One of the areas where my savior’s complex lived in is in a deeply held belief in my students.
By the way, you have to know that I have a good heart, and that I have amazing espoused values. I guess I have to state that to deal with my own fragility as I want to only be seen by my intent, but not impact, at least not yet. As you know, espoused values are those amazing flowery words that we share with the world and even with ourselves about what we supposedly stand for. I’ve heard them all; rebel teacher, anti-racist educator, educational activist, freedom fighter, so on, and so forth. However, my enacted values were not always aligned with what I shared with the world, and even with myself.
I “love” my students (espoused value). I saw myself in my students, and that was deeply problematic for so many reasons. I oftentimes funneled everything that they were going through, through my own experiences and lenses. I oftentimes made their journeys about me. Their stories made me cry, both because I cared, but also because they touched the pain and unresolved issues inside of me. That was completely unfair to them, unprofessional, and I was just a very poor educator who was neither trauma informed nor resiliency informed.
I used to have an un-minted doctorate at noticing and pointing out the injustice in other educators, even in this reflection, but not my own. I’m still a work in progress here. You have every right to question both the writer and the writing here, but I hope that after you throw out what is not useful, you still hold a mirror up to yourself, to the system, and are able to critically reflect on more than just the imperfect writer of this piece. In that spirit, I learned to become hyper sensitive of deficit language that others were saying, but not my own deeply ingrained deficit thinking that was even more problematic.
If I ever heard an adult say the words “at-risk youth,” I would flip it and say well they’re only “at risk of creating a revolution.” Isn’t that cute? I had catch-phrases for everything. But deep down inside, when students were going through difficult things, I only saw them through their pain points, their intergenerational trauma, and not their intergenerational wisdom. I took their struggles home with me and didn’t know how to carry them in an empowering way. I kept wanting to tell myself that I meant well. That I mean well. I carried their trauma and maybe assumed that it would break them, because all I heard was the litany of labels thrown at them/us: “minority” (and not minoritized), “free and reduced lunch,” “underprivileged,” “socio-economically disadvantaged,” “far below basic,” “first generation,” “immigrant,” and though I learned to not verbalize the label, I also never really saw that they were (cap)able (of revolution).
One of the words I hate the most is “pobrecito” (oh poor little one). That appears to be one of the most patronizing and patriarchal words that creates a particular teacher gaze where we see the difficulty that kids and communities are struggling with, and then we feel sorry for them. Sympathy is what normally comes, empathy is what some people aspire to, but solidarity looks very different, and I’m still not 100% sure of what that may look like as I take the luxury of sipping my $4 cup of coffee, with my fancy laptop out, as I write what may appear to be a self-serving, pompous pseudo self-reflection during the “work” day with the “freedom” to “reflect,” or if I teach in the hood, but live in the ‘burbs.
I think that all of the films that I have watched, all of the deficit articles that I have read, my own subtractive schooling experiences from kindergarten to 12th grade, have placed a deeply ingrained savior’s complex bug in the back of my brain, and it is proving to be extremely difficult to unlearn it. I have also gained a deeply held inferiority complex in the agency of our people to truly be free.
I don’t know that I really believed in the agency of my students to truly change the world, or that our barrios and communities could truly create revolution. I started to believe in the power of the empire and it manifested itself in not allowing me to dream of what true freedom could look like. I gave too much power to the prison system, the schooling inculcation system, the multiple layers that create poverty, as somehow much bigger and stronger than my faith in my students and in our communities. See, I have been trained to always study the wrong things, like reform, instead of revolution. So, I would go home and cry. I felt so bad for what was happening. Students are getting arrested. Students are getting deported. Students are losing their homes. Students have very little to eat. Students are taught that they can’t fully change the world. I began to see all of the world through this lens, and realized how ineffective I had become.
The only tired cliché solution that I could offer them is to prepare them for college. I would say ridiculous things about how great it would be to get a higher paying job, and none of this was about deeply believing that empowered communities could truly change the world. I just saw my kids as 21st century worker bees who should escape the barrio/hood narrative.
That’s why I am now in savior’s complex and poverty porn rehab. I am currently not teaching students anymore. I don’t deserve to. Honestly, I wish a lot of people would leave the profession, at least long enough to self-reflect. I have a lot to unlearn before I get the privilege to be with students again. I am now on a listening campaign as I hear from hundreds of students throughout the country who are telling me how deeply they have been scarred by school.
I must admit I’m angry.
I must admit I’m highly skeptical of educational reformers, including myself, so I’m done with that label.
I must admit I find corporate money in education highly suspect, and deeply problematic.
I find “well-intentioned” people to be those “nice” slave masters and colonialists who had house negroes be a part of their foundations, non-profits or schools.
I feel like a house negro who went to Harvard, and a bunch of other colonial spaces, wearing the suit just to get by.
I am shuckin’ and jivin’, and getting quite tired of it.
I am trying to be a school designer, but I find myself going up against everything that has created the colonial plantation now called school, trying to tell us how to do it, and under what terms.
If anyone out there feels this way, might we unite?
If you are done with this corporate, poverty porn, dog-and-pony non-profit industrial complex show, will you holla’ at a brother?
Rehab members of the world unite.
These are the confessions of a miseducated educator blinded by savior complex and the poverty porn within.
What’s your truth?
What’s your reflection?
How might we “see” blind spots?
How might we maintain colonialism and what would it mean/look like to stop?

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Educator. Activist. Author. Co-Founder Homies Empowerment