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Showing posts with label epistemology. Show all posts
Showing posts with label epistemology. Show all posts

Wednesday, October 11, 2023

Escape the Echo Chamber: How your personal information network can entrap you—just like a cult

This is an awesome read for the college classroom. It lays out a framework for understanding how political formations originally develop and are subsequently policed by communities ensconced in an echo chamber where the same information and perspective gets reinforced over and over again. Clearly influenced by his own dedication to his own self-construction, the author, Dr. Nguyen, calls for an "epistemic reboot" :

He immersed himself broadly and open-mindedly in everything he’d missed – pop culture, Arabic literature, the mainstream media, rap – all with an overall attitude of generosity and trust. It was the project of years and a major act of self-reconstruction, but those extraordinary lengths might just be what’s actually required to undo the effects of an echo-chambered upbringing.

Hmm, I like that thought that—alongside people and programs that we trust—we can actually expand our sense of selves through great devotion and an open search for discovery. 

This is ideally what rests at the heart of the educational enterprise that is itself NOT an echo chamber, but at most, a process that results in "epistemic bubbles," or ways of knowing that often burst, reflecting a process that we may otherwise refer to as "growth," "evolution," "learning," or "intellectual maturation."

This piece helps make the argument that while we may have our own epistemic bubbles, or ways of knowing in Academia, they are very unstable, helping us to deny the allegation that we are indoctrinating youth, on the one hand, while telling a more hopeful story of how what we all read and learn not solely liberates, but also transforms, us into being better students, scholars, and human beings, accepting of others' dignity and inalienable right to not just exist, but to thrive.

Angela Valenzuela

Reference

Nguyen, C. T. (2018). Escape the echo chamber. Aeon Magazine, 12. 
https://cs50.harvard.edu/x/2021/labs/10/chamber.pdf

C Thi Nguyen
is an assistant professor of philosophy at Utah Valley University working in social epistemology, aesthetics and the philosophy of games. Previously, he wrote a column about food for the Los Angeles Times. His latest book is Games: Agency as Art (forthcoming).

Edited by Sam Dresser


















Something has gone wrong with the flow of information. It’s not just that different people are drawing subtly different conclusions from the same evidence. It seems like different intellectual communities no longer share basic foundational beliefs. Maybe nobody cares about the truth anymore, as some have started to worry. Maybe political allegiance has replaced basic reasoning skills. Maybe we’ve all become trapped in echo chambers of our own making – wrapping ourselves in an intellectually impenetrable layer of likeminded friends and web pages and social media feeds.

But there are two very different phenomena at play here, each of which subvert the flow of information in very distinct ways. Let’s call them echo chambers and epistemic bubbles. Both are social structures that systematically exclude sources of information. Both exaggerate their members’ confidence in their beliefs. But they work in entirely different ways, and they require very different modes of intervention. An epistemic bubble is when you don’t hear people from the other side. An echo chamber is what happens when you don’t trust people from the other side.

Current usage has blurred this crucial distinction, so let me introduce a somewhat artificial taxonomy. An ‘epistemic bubble’ is an informational network from which relevant voices have been excluded by omission. That omission might be purposeful: we might be selectively avoiding contact with contrary views because, say, they make us uncomfortable. As social scientists tell us, we like to engage in selective exposure, seeking out information that confirms our own worldview. But that omission can also be entirely inadvertent. Even if we’re not actively trying to avoid disagreement, our Facebook friends tend to share our views and interests. When we take networks built for social reasons and start using them as our information feeds, we tend to miss out on contrary views and run into exaggerated degrees of agreement.

An ‘echo chamber’ is a social structure from which other relevant voices have been actively discredited. Where an epistemic bubble merely omits contrary views, an echo chamber brings its members to actively distrust outsiders. In their book Echo Chamber: Rush Limbaugh and the Conservative Media Establishment (2010), Kathleen Hall Jamieson and Frank Cappella offer a groundbreaking analysis of the phenomenon. For them, an echo chamber is something like a cult. A cult isolates its members by actively alienating them from any outside sources. Those outside are actively labelled as malignant and untrustworthy. A cult member’s trust is narrowed, aimed with laser-like focus on certain insider voices.

In epistemic bubbles, other voices are not heard; in echo chambers, other voices are actively undermined. The way to break an echo chamber is not to wave “the facts” in the faces of its members. It is to attack the echo chamber at its root and repair that broken trust.

Let’s start with epistemic bubbles. They have been in the limelight lately, most famously in Eli Pariser’s The Filter Bubble (2011) and Cass Sunstein’s #Republic: Divided Democracy in the Age of Social Media (2017). The general gist: we get much of our news from Facebook feeds and similar sorts of social media. Our Facebook feed consists mostly of our friends and colleagues, the majority of whom share our own political and cultural views. We visit our favourite like-minded blogs and websites. At the same time, various algorithms behind the scenes, such as those inside Google search, invisibly personalise our searches, making it more likely that we’ll see only what we want to see. These processes all impose filters on information.

Tuesday, October 15, 2019

Language Carries More Than Words. An Interview of Ojibwe Scholar David Treuer

Epistemology, or ways of knowing, is a concept that is oftentimes hard to grasp because it's hard for us to imagine ourselves outside of our current ways of knowing.  Though not always, one tends to grasp it more readily if you speak two or more languages.  

That said, how we know what we know is mediated by language and culture as this exquisite interview with Ojibwe scholar, David Treuer.  His most recent text that is receiving significant notoriety is titled, The Heartbeat of Wounded Knee: Native America From 1890 to the Present 

Certain concepts, ideas, and the feelings that accompany them, particularly in the realm of identity caught up with a deeps sense of history and place, simply cannot be fully translated.  Hence, the importance of language and cultural preservation and revitalization.

The interview transcript appears below.  However, I encourage you to hear his interview with Krista Tippett in this On Being podcast.

-Angela Valenzuela

On Being with Krista Tippett 

featuring David Treuer

Image by Dan Koeck, © All Rights Reserved.

Language Carries More Than Words

 

Writer David Treuer’s work tells a story that is richer and more multi-dimensional than the American history most of us learned in school. Treuer, who grew up on the Leech Lake Reservation in northern Minnesota, helped compile the first practical grammar of the Ojibwe people. He says the recovery of tribal languages and names is part of a fuller recovery of our national story — and the human story. And it holds unexpected observations altogether about language and meaning that most of us express unselfconsciously in our mother tongues.

Image of David Treuer


David Treuer divides his time between the Leech Lake Reservation and Los Angeles, where he teaches literature and creative writing at the University of Southern California. His books include Native American Fiction: A User’s Manual, The Translation of Dr. Apelles, and most recently, The Heartbeat of Wounded Knee: Native America From 1890 to the Present. His writing has also appeared in the New York Times, the Los Angeles Times, and The Washington Post.

 

Sunday, April 23, 2017

A Complex, Multicultural Vision of the World Promotes World Peace and Justice

Happy Sunday, everybody!

Here is a powerful piece by Dr. Roberto Cintli Rodriguez in this month's Diverse Issues in Higher Education. He makes the strong case that Chicanos/as have been in a permanent state of insurrection.  I might prefer the word "continuous," as opposed to "permanent."  In any case, this is a worthwhile read.  I like this quote from within:
"In effect, what is being said here is that the state of insurrection(s) by native peoples on this continent has never been quelled. The reason is because it cannot be quashed unless all lands are returned, etc. No one has the authority to end it. It is akin to when the Mexican government in the 1800s sued for peace with the Maya. The Maya famously proclaimed to their enemies: “Go away and then there will be peace.”
Of course, settlers won't simply "go away," but the mentality that reproduces imperial projects can and should.  However, this calls for and indeed requires an opening of the mind to others' experiences, albeit with an epistemic humility and openness that help access this different, complex, and beautiful world.

So this "insurrection" about which Dr. Rodriguez writes, in my view, is as much about the political as it is about the moral and the epistemic, meaning the value system (or systems) that attaches to ways of knowing and being in the world.  

The antithesis—a monolingual, monochromatic, monocultural, ahistorical, commericalized, decontextualized, standardized view of the world—is tantamount to the death of the soul, of complex ways of knowing and being, that in their absence, render "insurrection," in Rodriguez' words, a necessary state of affairs.
http://tinyurl.com/7plvzkx


A contemporary of President Abraham Lincoln in the U.S., Mexico's greatest, most beloved president who also happened to be a full-blooded, Zapotec Indian, President Benito Juarez' time-honored, wisdom rings true not just for today, but for the ages:

“Entre los individuos, como entre las naciones, el respeto al derecho ajeno es la paz.

Among individuals, as among nations, respect for the rights of others is peace.”

In closing, a complex, multicultural vision of the world breathes life and justice into the stuff of social relations and in so doing, promotes world peace.  
And we are all the better for it.
 
Angela Valenzuela
c/s


Rodriguez: Resistance or Permanent State of Insurrection?


Roberto Rodriguez

In Chicano Manifesto (1971), Armando Rendon made the radical claim that the United States and Mexico were technically still in a state of war (1846-1848) because the 1848 Treaty of Guadalupe-Hidalgo was violated prior to even its signing, and that therefore, a state of war continues to this day.
Rendon’s claim was based on war having been waged against Mexico; half of its territories were illegally seized via war or threat of war during the 1830s through the 1850s; and several of the articles (Article VIII and XI) from the treaty were altered and one (Article X) was outright deleted​. These articles had to do with land rights and the human rights of the peoples that remained in the former Mexican territories.

U.S. Attorney General Jeff Sessions
Here, I am not agreeing or disagreeing, but actually positing something even more radical: that people of Mexican descent (including Chicanos/as) that live in this country, live in a permanent state of dehumanization and thus also part of a permanent state of insurrection that has been ongoing since the days of Columbus, Cortez and Pizarro and other “conquistadors,” one that never ended, and technically, can never end. These (Indigenous) insurrections and rebellions went on long after the official wars of Independence ended in the 1800s that rejected the more than 300 years of colonialism.
Continue reading here.

Sunday, February 26, 2017

"Academics of the Heart," ASHE Presidential Address by Dr. Laura Rendón

Academia Cuauhtli inauguration danza
ceremony Jan. 17, 2015
Happy to share this beautiful, powerful, and profound 1999 Presidential Address by Dr. Laura Rendón delivered at the annual conference of the Association for the Study of Higher Education in San Antonio, Texas.  It speaks powerfully to a much-needed integration of mind, body and spirit in the scientific enterprise. I conveys so much of what we in Academia Cuauhtli are about.
Like us on Facebook.  Enjoy!

Angela Valenzuela
c/s


Continue reading here.

Sunday, March 06, 2016

Merleau-Ponty and Philosophy of Race


Very thoughtful and powerful philosophical piece by California State University Fullerton Department of Philosophy Dr. Emily Lee on race that comes from French phenomenological philosopher, Maurice Merleau-Ponty.  Merleau-Ponty himself was strongly influenced by Martin Heidegger and Edmund Husserl.  Dr. Lee develops the argument of race—and ultimately sex and gender—as "embodied knowledge," which women of color, especially, I think, will be able to relate. 
-Angela
Merleau-Ponty and Philosophy of Race
Published in Berfrois: Literature, Ideas and Tea
October 26, 2012

Maurice Merleau-Ponty did not write much on race; he only mentioned it once, as far as I know, in his article, “The Child’s Relation with Others”. In these post-colonial times, it is recognized that one of the tools of colonialism is its epistemic hegemony—defining knowledge on the semblance of originating or affiliating with the northwest. Under such circumstances, as a philosopher whose primary research questions focus on race and feminist philosophy, my concentration on the work of Maurice Merleau-Ponty and weaving his work with the questions concerning race and sex needs some explanation.

Continue reading here.

Tuesday, October 06, 2015

"The Last Conquistador" and Epistemological Racism


I showed this video titled, The Last Conquistador, in my class this evening in tandem with Jim Scheurich and Michelle Young's classic piece titled, Coloring Epistemologies: Are Our Research Epistemologies Racially Biased? Educational Researcher Vol. 26, No. 4 (May, 1997), pp. 4-16, that together allowed me to explicate the concept of "civilizational racism."  This is the most profound, unconscious racism that comes out of what we think reality to be (ontology), ways of knowing that reality (epistemology), and deep-seated beliefs about that which we determine to be right or wrong (axiology).

Hats off to filmmakers, John J. Valadez and Cristina Ibarra,  who did an extraordinary job in capturing the moment.  It tells an important story from El Paso, Texas, of renowned sculptor, John Houser, whose dream it was to build this massive—indeed, the world's tallest—bronze equestrian statue with colonizer, Don Juan de Oñate y Salazar, a Spanish Conquistador atop.  Oñate was a brutal, genocidal, colonial governor of the Santa Fe de Nuevo México province to which he was granted dominion by the Viceroyalty of New Spain on April 30, 1598.

As conveyed vividly and poignantly in the film, this action reignited the pain and trauma of Oñate's assertion of power and fought the Pueblo of Acoma in a war that began in January 1599 that not only nearly decimated them, but that also resulted in the enslavement of hundreds of men, women, and children.  The cruelty of this now forever memorialized, albeit ignominious, "hero," knew no limits.  He amputated one foot of the remaining men that survived the battle, literally crippling the Acoma and subjugating the Pueblo and other Indians of New Mexico with indelible consequences unto the present—and that this video brings to light.

Oñate was eventually called to Mexico where he was heard and found guilty for cruelty toward native people.  He had to resign from his post as governor of Santa Fé, but as what could probably have been predicted, was ultimately cleared, on appeal, of all charges.

Thought this might be helpful to others and so I am happy to share.  (Also consider viewing this PBS, animated counter-story to "The Last Conquistador," titled"Frontera! Revolt and Rebellion on the Rio Grande.")  Brace yourself for the Valadez film though for an emotional journey through time that I anticipate will make you both angry and sad.  It illuminates and unmasks a part of our nation's genocidal history of conquest and colonization, and their enduring effects.


Angela Valenzuela
c/s 


Thursday, September 10, 2015

Academia Cuauhtli and the Eagle, by Valenzuela et al.

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 I am very happy to share the latest issue of  Annenberg Institute for School Reform (AISR) Voices in Urban Education journal titled, Beautiful Accents: Empowering and Supporting English Learners through School and Community Partnerships.  It focuses on the stories of strong community partnerships that have helped schools and districts empower and engage a broad range
of children often narrowly labeled as “English learners.” Recognizing that the heritage language and cultural background of English Language Learners are an asset will support their learning and development in culturally responsive ways that go far beyond language acquisition.

UT Professor Dr. Emilio Zamora, UT doctoral student, Brenda Rubio, and I have a piece in this special issue titled, "Academia Cuauhtli and the Eagle: Danza Mexica and the Epistemology of the Circle"  that is based on our fourth-grade, Academia Cuauhtli Saturday Academy with the Austin Independent School District (AISD) and City of Austin Emma S. Barrientos Mexican American Cultural Center. 

Many thanks to AISR, especially Margaret Balch-Gonzalez and Ruth López for this opportunity to contribute and share our story.  We hope that it, as with the other issues, signals important directions for educational reform and transformation.

Enjoy!

-Angela Valenzuela
 
-->@vlnzl

@DeptELLsAISD

@AnnenbergInst @IntInstitute
@reftrans @MassEducation @826_Valencia 
@Ruth13L @LEIWorcester




 

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Friday, February 05, 2010

"Avatar," Race, and Epistemology


by

Angela Valenzuela

February 4, 2010



Listen to my analysis of "Avatar" with Maria Hinojosa on latinousa.kut.org or by going directly to http://latinousa.kut.org/wp-content/lusaaudio/LUSA_webcast_100205.mp3

In reviewing New York Times columnist's David Brooks' review of the epic film "Avatar" titled, "The Messiah Complex," I agree that this movie reinscribes the White messiah complex and I am glad that it is encouraging this very kind of discussion of white privilege and power. Hopefully, it is raising an awareness of this complex to begin with and offers a critical realization that this is what is so wrong and horrible about so many Hollywood movies—or for that matter, all movies that are born out of an imperialist, self-serving view of the world. So this is undoubtedly true.

I connect with the movie in quite another way that I think lays beneath the admittedly problematic Pocahontas frame as portrayed by Walt Disney.

"Avatar" is solidly about ways of knowing that we as social scientists have been talking about for decades.

That is, the question I have about the movie is not so much why this protagonist is a white male but rather why he was "chosen" to carry out this redeeming mission? (I complicate this notion of "being chosen" below). Why Jake Sully (played by Sam Worthington) and not someone else? Why wasn’t it the scientist, Dr. Grace Augustine (played by Sigourney Weaver)? After all, she was a teacher and Neytiri (played by Zoe Saldaña) was her student on planet Pandora. For reasons that are only hinted at but never made clear, consider that the tribe closed down the school. And they also closed down the hospital.

Dr. Grace Augustine was as sensitive as pretty much any one could get in that context but her problem was her epistemology, her lens, her way of knowing. As much as she felt that she knew about and cared for the native people, she could never stop seeing “them” or their planet as “samples,” as an object of study rather than as a group with whom to authentically embrace in a spirit of relation and a shared sense of destiny. She and her assistants understood their value system with their minds but not their hearts. They were quick to accumulate knowledge about the Na'vi but slow see their physiological, cultural, and spiritual distinctiveness in a respectful, affirming way.

Incidentally, the insufferable Colonel Miles Quaritch is the only character in the movie to actually mention "race" when he rebukes Jake Sully saying, "How does it feel to betray your own race?" The viewer is encouraged to see how the Western mindset constructs difference more like a threat than a promise—and rarely as a site where at least some answers to the mess we have created in our world may be found.

In the end, Grace's way of knowing was ultimately decided by the community as not being of the community. Not only did the education system lack soul, but it was also likely dismissive toward, if not entirely hostile to, the indigenous ways of knowing. To add yet another layer that probably explains why the American school was shut down, the cultural chauvinism of the curriculum was probably invisible to the well-meaning personnel that designed and operated the school.

This educational opportunity nevertheless created the possibility for Neytiri and others to be bilingual so that they could more easily negotiate the threat to which they were to be subjected. Seen this way, Neytiri and her clan are also chosen. Indeed, all of creation is enlisted in this battle against this private army to play an essential role in this larger drama of community restitution.

The community's role, however, is different from Jake's. Jake Sully's challenge—enabled by his less complicated angle of vision in comparison to all the other major characters in the film—was to actually "see" the Na'vi in a respectful way and to walk humbly and prayerfully in a world and universe where the "Great Heavenly Consulate" reduces no one to that of an "alien" (in this vein, hear ballad singer Ricardo Arjona's song, "El Mojado" ["The Wetback"]). It had to be real and he had to demonstrate this through an emotional, spiritual, and psychic commitment not to the Na'vi but to the Creator and to himself in his personal journey to enlightenment.

So the natives unquestionably exercise agency by correctly seeing Sully as having potential and by consciously deciding as a tribe to educate him in their ways and to not kill him when they discover that he is a double agent for the army. Brooks' "white-Messiah frame" denies the Navi people of their agency when they are far from being, or behaving like, helpless pawns in a war of aggression.

The hospital shared the same fate. The arrogant intruders wanted to coerce their way of knowing onto these people that defied their own culturally and experientially anchored ways of healing. So the hospital became yet another tool of imperial designs that sought to colonize a people whose ways of knowing and healing were not in need of rehabilitation—at least not in any way that was either obvious to them or that could be digested when coming from a self-possessed, presumptuous power. If anything, the opposite was true. The invaders, despite their superior military might, were so willfully ignorant of the knowledge and wisdom that resided not in any single person or thing but rather that existed in its totality in a living, breathing way.

The tree was both a real and symbolic representation of a society that was relatively in tact for the length of its existence. This allowed for an accumulation of knowledge, wisdom, and yes, technological know-how that was readily available (or “downloadable,” as the scientist had conveyed in her defense of the tribe) to all its members. Austin performer, Natalie Goodnow masterfully communicates through theater—specifically in "Muntu" (a Kikongo, Bantu language word that means both "tree" and "person")—this notion of a sense of solidarity with nature that extends one's sense of self and belonging in a way that transcends fences, walls, borders, discrimination, and time itself. This is a rootedness in identity that stands in stark contrast to the eviscerating character of an oppressive, domineering culture that abandons us to a reduced sense of self, agency, and identity.

By technology, I refer in small part to the avatars' arrows "dipped in a neurotoxin that can stop your heart in one minute," but primarily to their lemur-like tails that established a technologically advanced, telepathic link to nature. The U.S. military's culturally-derived, evaluative frame that constructed the Na'vi as a primitive race, however, blinded them to their abled adversaries' technological capacity that was at least as highly evolved, if not superior to their own. To be sure, any ecologist or biologist would love to have such faculties within their reach. To suggest that James Cameron or the Na'vi resort unimaginatively to a deus ex machina in order for them (Cameron and the Na'vi) to accomplish their desired end, namely, triumph over the military, is to negate any other construction of technology that exists outside of our known experience, our cultural lens.

For the Na'vi, nature was thus understood, appreciated, and respected in its complexity and its depth in contrast to the oppressive monoculture that a regime premised on the coveted ore under the earth presaged. So what war, conquest, and colonization do—among so many other horrific things—is tear down those structures and ways of knowing that allow the colonizer to subdue and extract profit from it.

Clearly, a brief history with this group unearthed their “uncolonizeability,” if you will, leaving the military-industrial complex with few options but to attempt to annihilate it.

One cannot help but draw a connection to the conquest, colonization, and genocidal experiences of native people in this hemisphere where minorities, by definition, are not seen as full members of society despite a genetic and cultural inheritance that pre-dates Columbus' "discovery" of America. Against this larger backdrop of history, it is hugely ironic that Mexican and Latino immigrants—particularly the more darkly hued—and their languages, get constructed as "foreign," "alien," and "illegal" as an artifact of the relatively recent historical construct of the nation state that brought boundaries and borders into existence.

Stated differently, today's minorities are the cultural hybrids of comparable, Pandora-like narratives of family trees and family forests that in far too many instances were reduced to kindling. With all the natural and human-made disasters that the poor and the dispossessed, in particular, experience, it is truly amazing that any of us has, or holds on to, a sense of cultural integrity and self worth.

So why was the white male “chosen?” I’ve already pretty much answered this. He was chosen because his vision was not occluded by the objectifying filters of his peers. He is actually, at most, an accidental messiah. More accurately, he's a grunt who stumbles into this situation with no real expectations and a different lens that was not given a chance to fully cultivate (indoctrinate). This openness allows him to acculturate toward indigenous ways, paralleling his growing disenchantment with the empire's ways. In time, he is able to see the natives not with the imperialist gaze, but rather as they see themselves, in their own terms. It is only when he sees that he was chosen that he fully grasps his obligation to confess his misdeeds and come clean, even at a risk to his own life.

Comparable to its usage among the Zulu of South Africa, the Na'vi tribe’s salutation reflects this very value system. Their word for “hello” means “I see you,” meaning that they value seeing each other as they really are—seeing past the superficial and straight to the heart. This way of seeing goes far beyond most contemporary treatments of multiculturalism that call for tolerance and the teaching of it. We must instead allow ourselves to get de-centered in order to apprehend the "other's" reality. At the end of her life, the scientist arrives at this understanding. That is, Grace finally “sees.” Everything she understood with her mind, she now understands and sees with her heart. At least in death was Grace ultimately redeemed.

For those of us who address these profound questions of epistemology and how it connects to power and identity, I think that Avatar is a useful, illustrative tool. But you have to get beyond the distractions of the messiah motif, the beautiful bodies, the love affair, and the romantic caricature of nature to see its deeper message. That is, we need to consider that our very way of knowing has equated and will continue to equate—if we continue to fail to truly see the "other"—to our own demise as people and a planet.


Submitted to the Texas Observer ©